For years I have worked in several mediums simultaneously.  Each has informed the other.  Specifically as it relates to painting, I have been investigating how color, form, and the geography of space can be both an attraction and deterrent.

Paint is layered up, removed, and then covered up again.  Sometimes a razor blade, belt sander, or dremel is used.  The physicality plays an important role and wood supports are employed.

I am interested in the process of undoing–– making paintings that border on being seemingly unresolved. Perhaps if one looked long enough, the painting would shift slightly, fall apart or tighten up.  I like awkward and clumsy, as it provides multiple fulcrums and visual pathways to contemplate the whole and details simultaneously, much like our thought patterns.